“For the *last time*, just because I dress like an edgelord and live in a giant castle constructed out of obsidian within a region of high volcanic activity DOES NOT mean I’m a villain! That’s just, like, my aesthetic, bro!”
“For the *last time*, just because I dress like an edgelord and live in a giant castle constructed out of obsidian within a region of high volcanic activity DOES NOT mean I’m a villain! That’s just, like, my aesthetic, bro!”
askthemost-turbotastic-racers:
Go Crazy Go Turbo!
TURBOTASTIC!
Steal my art and you die.
Reblogs > likes
I really did enjoy Elder Uchdorf’s talk, but my dumb brain made me make this
roomba-with-knives-taped-to-it:
Moses Supposes
Running into this on my dash was like running into an old friend
Thats just what theater kids are like
What I’ve always loved about this bit is
a. this musical number comes completely out of nowhere, with no greater context than what this video captures; and
b. the language instructor clearly can’t hear the music. He’s not from Musical Theatre Land. From his perspective, a couple of twinkle-toed weirdos just randomly decided to physically abuse him for three solid minutes. This isn’t reading anything that’s not intended into the scene – it’s literally the central gag.
I thought gays weren’t aloud back then but I must be wrong because this is the fruitiest most flamboyantly homosexual shit I’ve seen
You’ll be very pleased to hear that the most commonly accepted ship for Singin’ in the Rain these days is an OT3 between these two guys and the female lead.
internet ransom note where instead of magazine letters it’s just jpgs of letters found on google